Dec 14, 2024

I’m proud of all my work this year. This 301-second experiment continues to be the most creatively fulfilling project I’ve ever done. It’s been a privilege to have you all along for the ride.

Thank you for listening, and supporting the show in 2024. 

Full Show Notes:

Nov 17, 2024

In 1984, author Ray Hammond reminded readers that ‘the computer has no power to write words.’

As large language models (LLMs) reshape writing today, it’s worth reflecting on the last seismic shift in creative technology: the rise of the word processor.

Full Show Notes:

Oct 26, 2024

It's all converging. Autonomous AI agents like Truth Terminal, inside of VTubers, inside of virtual worlds, fully monetised with crypto tokens which powers the interactive in-show entertainment options. Imagine if Love Island was less scripted and more like The Sims. All of course, unfolding against the backdrop of...

Oct 20, 2024

Instead of optimising for immediate visibility, you always have the opportunity and option to create for a future audience. One that's somewhere in the long tail. If you’re willing to embrace that, you don’t need to worry about algorithms or trends.

Full Show Notes:

Oct 6, 2024

On Thursday, I was at the Serpentine Gallery in London for the opening of The Call, an exhibition by Holly Herndon and Mat Dryhurst. The work, as they write in the program, is a commentary on how “the process of collecting data raises questions about the governance and permission of its use.” and so is this...